A synopsis by way of explanation before you start to read...

Hi, I'm Lucy. I started my blog July 2009, to document my journey across the American West, and it now forms an archive of the Land Arts of The American West program 2009. As you can read below the journey took me far and wide with wonderful people, seeing wonderful places. When we returned from travelling we had 3 crazy weeks to put a show together. In that time I printed many photos and did 2 installations "off-site" i.e. away from the gallery space. One in an abandoned phone booth and one under a stairwell, both in different spaces within the University of New Mexico (UNM) campus. The tumble weed and barbed wire piece evolved further when I met The Chuppers - an electronic arts ensemble based in a wonderful recording studio filled with weird and wonderful hybrid instruments forged together from old and new technology. The Chuppers saw my piece under the stairs and were inspired to create music and video projection with my piece which I then in turn decided to "perform" for an audience. Around 40 or so people joined us on the night of the 18th Novemeber our audio, visual and corporeal performance...all of which is documented in my blog. This Blog has formed part of the Land Arts 2009 show at John Sommers Gallery, UNM.

Saturday, 22 August 2009

What I'm reading...


Lots of reading to do for next weeks seminars. Just read a great paper by Joseph Masco called Desert Modernism, Masco considers the landscape of the american west. The contemporary desert landscape has conflicting myths within it of historic colonisation of land and displacement of people, Utopian consumerism of Vegas, Dystopian militarism and abject land pillaging through mining and drilling. Masco writes, "To negotiate these conflicting approaches to the epic west, both citizens and officials have come to rely on tactical amnesias, temporal sutures enabling a precarious - if addictive - cosmology of progress, fuelled by high-octane combinations of risk, silence, utopian expectation, and paranoid anxiety. It is this dual process of mythologizing through cognitive erasure that I call 'desert modernism'." (Msaco, J (2004) Desert Modernism Cabinet MagazineFutures:13)
http://www.cabinetmagazine.org/issues/13/masco.php

This Utopian/Dystopian conflict resonates with me as an articulation of ideas about contemporary culture that I am interested in channelling and exploring in my work. Pieces that I would link this too are my performance in collaboration with Sacha, my photo series with the red phone and my casting of the light switches. The following images are images of previous pieces of work -



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